The book is structured around two main sections: painting series and exhibitions. To create a more dynamic and surprising experience, each of these sections is interspersed with texts, interviews, and fragments from Notizen, resulting in a fluid narrative that weaves between image and word.

Design follows a unique structure. It begins traditionally with a half title page, full title page, and table of contents. However, there is no classical division into chapters. Instead, the content is divided into painting series and exhibitions.

Each series opens with a double-page title spread, marked by a characteristic motif. Between the images of paintings, excerpts from the artist’s diary Notizen are inserted, adding an element of surprise and intimacy. Each exhibition starts with a brief description, accompanied by a visual element taken from one of the featured artworks — adding both a unique character and a playful touch. Series and exhibitions are further interwoven with interviews, which also contain visual elements drawn from preceding artworks. The book ends with a traditional appendix, including the artist’s biography and publishing credits.